Reviews
Review | Police — A Georgian take of Mrożek’s satire of totalitarianism
A political prisoner’s compliance exposes the absurd co-dependence of state power and dissent, though the staging feels fragmented and uneven.
Nina Gogadze
Before joining OC Media as Community Manager, Nina worked with grassroots and civil society organisations in Georgia focused on intersectional feminist politics. In her free time, you will find her reading books by contemporary Georgian writers, singing old classical jazz, and travelling on a budget.
Reviews
Review | Haide — When symbolism overshadows substance in Georgian theatre
Symbolic but static, Haide misframes universal issues, with rushed delivery and dated ideas that dilute its impact on modern audiences.
Reviews
Review | The Human Voice — A haunting dialogue between despair and self-preservation
Tata Popiashvili’s The Human Voice reframes heartbreak as dialogue between despair and resilience, balancing loss with the strength to let go.
Reviews
Review | Do Not Leave the Room — Georgian theatre that dares to speak out
Georgian director Ketevan Samkharadze’s five-act political farce doesn’t shy away from exposing the country’s hardest truths.
