
Review | Tbilisi Open Air: Intergenerational sympathy
Guili Chokheli and Nani Bregvadze’s appearance in the all-Georgian line-up of Tbilisi’s Open Air Festival 2025 closed the gap between generations of Georgian musicians.
Guili Chokheli and Nani Bregvadze’s appearance in the all-Georgian line-up of Tbilisi’s Open Air Festival 2025 closed the gap between generations of Georgian musicians.
Irma Sharikadze’s exhibition, consisting of cloth, film, and sculpture, showcases the rich but endangered Adjarian tradition of embroidery.
This year, the biggest music festival in the South Caucasus will take place 24–25 May with an all-Georgian lineup.
Keko Chelidze’s 2020 documentary gently and considerately explores the unusual relationship between a Georgian mother and her musician son.
After a promising start, Azerbaijani director Asif Rustavmov’s sophomore film Cold as Marble comes to an unsatisfying climax.
In a slightly uneasy blend of fact and fiction, Turashvili recounts the true and tragic story of a group of disaffected Soviet Georgian youth.