
Review | My Happy Family — what passes for women’s joy in Georgia
My Happy Family is a portrait of a middle-aged Georgian woman who dares to get a room — and a life — of her own.

My Happy Family is a portrait of a middle-aged Georgian woman who dares to get a room — and a life — of her own.

Balkar director Said Tolgurov’s second film works to ground the viewer through the breathtaking, mountain landscape of Kabarda–Balkaria.

Long before Mikheil Kalatozov became a master of Soviet cinema, he made a Georgian film the regime could not forgive.

Mariam Megvinyte’s latest play contrasts Thebes’ fall in the Oedipus cycle with the Georgian Civil War, all via a feminist perspective.

A Room of My Own is an intimate but unfinished portrait of female friendship, desire, and self-discovery in contemporary Tbilisi.

Russian director Maria Rigel’s latest film is a disappointingly slow-moving look at Armenian society that is more incomprehensible than enlightening.

While promising a story of self-discovery amidst Georgia’s political turmoil, this novel instead makes Georgia feel more like a convenient backdrop.