Reviews
Review | My Grandmother — portraying the well-choreographed chaos of Soviet bureaucracy
Kote Mikaberidze’s 1929 slapstick satire My Grandmother is a brilliant piece of Soviet Georgian cinema still relevant today.ag
Tamar Agatha Kapanadze
Tamar Agatha is a human rights defender and civic activist from Tbilisi. Her main interests are women’s and LGBTQ+ rights. When not working on advocacy and justice, she can be found leading walking tours through Tbilisi’s winding streets, reading obsessively, or catching the latest performance at the theatre.
Reviews
Review | And Then We Danced — Georgian dance as queer resistance
Levan Akin’s 2019 queer love story feels as urgent as ever under Georgian Dream’s homophobic laws.
Reviews
Review | Dagny, or a Love Feast — a postmodern toast to myth and memory in Georgia
Zurab Karumidze’s postmodern novel turns Tbilisi into a stage where artists, revolutionaries, and mystics collide.
Reviews
Review | Me, Margarita — Capturing the lives of Georgian women via a uniquely Tbilisian voice
Me, Margarita by Ana Kordzaia-Samadashvili captures the chaos, wit, and romance of Georgian women in stories as bitter-sweet as the country itself.
Reviews
Review | Blackbird Blackbird Blackberry — an honest portrait of Georgian womanhood
Elene Naveriani’s latest film is a beautiful story of finding and embracing your true desires in the most unexpected ways.
Reviews
Review | What Do We See When We Look at the Sky? — A Georgian ode to everyday wonder
A quiet celebration of life’s fleeting beauty and the everyday mysteries we often overlook.
