
Review | Temo Re — An artistic yet humorous commentary on Georgian society
Georgian director Anka Gujabidze’s debut film is a visual treat for lovers of monochrome photography.
Georgian director Anka Gujabidze’s debut film is a visual treat for lovers of monochrome photography.
Rusudan Chkonia’s second feature film is a humorous examination of societal relations amidst Georgia’s housing crisis.
Tamar Stepanyan’s first feature film, a timely and relevant look at Armenia’s tragic history, marks an impressive debut.
From a local take on an acid Western to a revenge film shot entirely through a car windshield, these shorts show how varied Georgia’s cinema is.
Azerbaijani director Hilal Baydarov’s second feature is a rare composite of a road movie, a spiritual fable, and a feminist revenge story.
Eldar Shengelaia’s 1983 film, one of the sharpest satirical critiques of Soviet bureaucracy in existence, is a cinematic masterpiece
The Eccentrics is by far Georgian director Eldar Shengelaia’s most absurdist and outright comedic film.