Reviews
Review | A Room of My Own — queerness and constraint in Georgia
A Room of My Own is an intimate but unfinished portrait of female friendship, desire, and self-discovery in contemporary Tbilisi.
Cinema
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Reviews
Review | Thus Spoke the Wind — an Armenian drama that favours art over substance
Russian director Maria Rigel’s latest film is a disappointingly slow-moving look at Armenian society that is more incomprehensible than enlightening.
Reviews
Review | The Cage is Looking for a Bird — a Chechen tale of women’s agency
Malika Musaeva’s film is an uncompromisingly depressing look into how little agency young women in the North Caucasus have in their own lives.
Reviews
Review | Hotel Metalurg — illustrating the loss that never fades
The quiet and compassionate documentary Hotel Metalurg is less about losing a home than about learning, painfully, how to live without one.
Reviews
Review | Self-Portrait Along the Borderline — exploring identity and belonging amidst conflict
Anna Dziapshipa’s 2023 collage documentary invites the viewer into her own story, examining personally what it means to be an Abkhaz–Georgian woman.
Cinema
Georgia’s cinema paradox — acclaimed abroad, yet struggling at home
Georgian films are failing to reach local audiences, largely due to weak infrastructure, monopolies, political pressure, and limited distribution.
Reviews
Review | Scary Mother — the horror of a Georgian woman’s intellect
Ana Urushadze’s 2017 debut film follows a Tbilisi housewife whose secret manuscript unravels the fragile architecture of family life.
