
Review | Cold as Marble — a disappointing erotic thriller from Azerbaijan
After a promising start, Azerbaijani director Asif Rustavmov’s sophomore film Cold as Marble comes to an unsatisfying climax.
After a promising start, Azerbaijani director Asif Rustavmov’s sophomore film Cold as Marble comes to an unsatisfying climax.
Elene Mikaberidze’s first full-length documentary is a warm, funny, yet bittersweet slice of life.
Luka Beradze’s first full-length film offers a deeply human and surprisingly funny portrait of broken promises and political manipulation in Georgia.
This unsettling domestic drama is an admirable directorial debut from dissident Kabardian director Kantemir Balagov.
Ilgar Najaf's second film is an understated and elegantly-paced domestic tragedy.
As Georgia’s government intensifies its campaign against queer representation and activism, a new wave of films showcasing queer Georgian stories are under threat. In the years since Levan Akin’s gay romance And Then We Danced (2019) took Georgia and the indie film circuit by storm, at least a dozen films dealing with queer issues in Georgia — which one survey found to be the most homophobic country in Europe — have been released, including six since the start of 2023. Akin’s latest, Cros
Since mid-June, Georgian filmmakers and their supporters have been protesting a ‘reorganisation’ of the country’s National Film Centre by the Ministry of Culture, warning that it aims to extend full government control over the country’s cinematic output. ‘Censorship’ is the word that Gaga Chkheidze uses to describe the Ministry of Culture’s reforms at the Film Centre. Chkheidze is the founder of the Tbilisi International Film Festival and a former board member of the Georgian Film Developm