Reviews
Review | Jocasta: Raw Material — a feminist comparison of two civil wars
Mariam Megvinyte’s latest play contrasts Thebes’ fall in the Oedipus cycle with the Georgian Civil War, all via a feminist perspective.
Reviews
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Reviews
Review | A Room of My Own — queerness and constraint in Georgia
A Room of My Own is an intimate but unfinished portrait of female friendship, desire, and self-discovery in contemporary Tbilisi.
Reviews
Review | Thus Spoke the Wind — an Armenian drama that favours art over substance
Russian director Maria Rigel’s latest film is a disappointingly slow-moving look at Armenian society that is more incomprehensible than enlightening.
Reviews
Review | A Dog in Georgia — a journey that never finds its way
While promising a story of self-discovery amidst Georgia’s political turmoil, this novel instead makes Georgia feel more like a convenient backdrop.
Reviews
Review | Persephone (Where the Light Forgets Me) — the echoing architecture of girlhood
This debut work is an exploration of girlhood, leaning into an internal, almost private narrative that speaks to a collective female experience.
Reviews
Review | The Cage is Looking for a Bird — a Chechen tale of women’s agency
Malika Musaeva’s film is an uncompromisingly depressing look into how little agency young women in the North Caucasus have in their own lives.
Reviews
Review | Hotel Metalurg — illustrating the loss that never fades
The quiet and compassionate documentary Hotel Metalurg is less about losing a home than about learning, painfully, how to live without one.
