
Review | Dagny, or a Love Feast — a postmodern toast to myth and memory in Georgia
Zurab Karumidze’s postmodern novel turns Tbilisi into a stage where artists, revolutionaries, and mystics collide.
Zurab Karumidze’s postmodern novel turns Tbilisi into a stage where artists, revolutionaries, and mystics collide.
Azerbaijani director Hilal Baydarov’s second feature is a rare composite of a road movie, a spiritual fable, and a feminist revenge story.
Anthony Marra’s debut novel boasts a tight narrative, strong characters, and a deep understanding of the Chechen conflict.
Me, Margarita by Ana Kordzaia-Samadashvili captures the chaos, wit, and romance of Georgian women in stories as bitter-sweet as the country itself.
Eldar Shengelaia’s 1983 film, one of the sharpest satirical critiques of Soviet bureaucracy in existence, is a cinematic masterpiece
The Eccentrics is by far Georgian director Eldar Shengelaia’s most absurdist and outright comedic film.
Eldar Shengelaia’s 1968 film is a layered parable on artistic individualism in the collectivist Soviet Union.