Reviews
Review | My Grandmother — portraying the well-choreographed chaos of Soviet bureaucracy
Kote Mikaberidze’s 1929 slapstick satire My Grandmother is a brilliant piece of Soviet Georgian cinema still relevant today.ag
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Reviews
Review | Exploring five shorts at the 2025 London Georgian Film Festival
From stop-motion animation to documentary footage of Georgia’s ongoing anti-government protests, these films show off Georgia’s cinematic diversity.
Reviews
Review | Imago — Exploring Chechen identity in Georgia’s Pankisi Valley
This impressive feature-length documentary debut shows a diverse Pankisi Valley rarely explored in Western media.
Reviews
Review | And Then We Danced — Georgian dance as queer resistance
Levan Akin’s 2019 queer love story feels as urgent as ever under Georgian Dream’s homophobic laws.
Reviews
Review | Crossing — Levan Akin takes the queer road movie beyond expectations
Levan Akin’s road movie about an odyssey from Georgia to Turkey is notably more authentic than his internationally acclaimed And Then We Danced.
Reviews
Review | Police — A Georgian take of Mrożek’s satire of totalitarianism
A political prisoner’s compliance exposes the absurd co-dependence of state power and dissent, though the staging feels fragmented and uneven.
Reviews
Review | Haide — When symbolism overshadows substance in Georgian theatre
Symbolic but static, Haide misframes universal issues, with rushed delivery and dated ideas that dilute its impact on modern audiences.
