
Review | Cold as Marble — a disappointing erotic thriller from Azerbaijan
After a promising start, Azerbaijani director Asif Rustavmov’s sophomore film Cold as Marble comes to an unsatisfying climax.
After a promising start, Azerbaijani director Asif Rustavmov’s sophomore film Cold as Marble comes to an unsatisfying climax.
Elene Mikaberidze’s first full-length documentary is a warm, funny, yet bittersweet slice of life.
In a slightly uneasy blend of fact and fiction, Turashvili recounts the true and tragic story of a group of disaffected Soviet Georgian youth.
Luka Beradze’s first full-length film offers a deeply human and surprisingly funny portrait of broken promises and political manipulation in Georgia.
This anthology expertly introduces the work of Georgian writers and poets who operated during the Soviet Union to a new generation of English readers.
Armen Davoudian’s debut — taking the reader through Armenian, Iranian, and American history — is a beautiful personal narrative on change and loss.
This unsettling domestic drama is an admirable directorial debut from dissident Kabardian director Kantemir Balagov.