Reviews
Review | Persephone (Where the Light Forgets Me) — the echoing architecture of girlhood
This debut work is an exploration of girlhood, leaning into an internal, almost private narrative that speaks to a collective female experience.
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Reviews
Review | The Cage is Looking for a Bird — a Chechen tale of women’s agency
Malika Musaeva’s film is an uncompromisingly depressing look into how little agency young women in the North Caucasus have in their own lives.
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Review | Hotel Metalurg — illustrating the loss that never fades
The quiet and compassionate documentary Hotel Metalurg is less about losing a home than about learning, painfully, how to live without one.
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Review | Self-Portrait Along the Borderline — exploring identity and belonging amidst conflict
Anna Dziapshipa’s 2023 collage documentary invites the viewer into her own story, examining personally what it means to be an Abkhaz–Georgian woman.
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Review | Scary Mother — the horror of a Georgian woman’s intellect
Ana Urushadze’s 2017 debut film follows a Tbilisi housewife whose secret manuscript unravels the fragile architecture of family life.
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Review | Panopticon — coming-of-age in the shadow of the sacred
George Sikharulidze’s feature debut explores the fractured dual life of a Tbilisi teenager caught between religious surveillance and repressed desire.
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Review | Some Interviews on Personal Matters — a Georgian woman, uninterrupted
Some Interviews on Personal Matters is a pioneering work of feminist filmmaking and an intricate, intimate portrait of womanhood.
