Reviews
Review | Scary Mother — the horror of a Georgian woman’s intellect
Ana Urushadze’s 2017 debut film follows a Tbilisi housewife whose secret manuscript unravels the fragile architecture of family life.
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Reviews
Review | Panopticon — coming-of-age in the shadow of the sacred
George Sikharulidze’s feature debut explores the fractured dual life of a Tbilisi teenager caught between religious surveillance and repressed desire.
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Review | Some Interviews on Personal Matters — a Georgian woman, uninterrupted
Some Interviews on Personal Matters is a pioneering work of feminist filmmaking and an intricate, intimate portrait of womanhood.
Reviews
Review | Ravens Before Noah — a bleak yet poetic look at survivors of the Armenian Genocide
Susanna Harutyunyan’s 2015 novel eloquently captures the traumas remaining amongst survivors of the Armenian Genocide.
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Review | Once Upon a Time There Was a Singing Blackbird — Georgia’s overlooked masterpiece
Otar Iosseliani’s 1970 film is a poetic wander through the absurdity of life.
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Review | The Navigator — when GPS becomes your confidant
Lasha Bugadze’s play The Navigator won an award at the 2011 International BBC Playwriting Competition, where it premiered.
Reviews
Review | The Pear Field — a look at life in Tbilisi’s ‘school for idiots’
Nana Ekvitimishvili’s debut novel is a short, intense work that confronts society’s silence and ethical blind spots.
