Reviews
Review | Hotel Metalurg — illustrating the loss that never fades
The quiet and compassionate documentary Hotel Metalurg is less about losing a home than about learning, painfully, how to live without one.
Culture
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Reviews
Review | Self-Portrait Along the Borderline — exploring identity and belonging amidst conflict
Anna Dziapshipa’s 2023 collage documentary invites the viewer into her own story, examining personally what it means to be an Abkhaz–Georgian woman.
Georgia
Monstrous costumes and cracking whips — the Georgian village preserving the spirit of Berikaoba
The centuries-old tradition of Berikaoba, a special masquerade to invoke spring, is now only found in a few villages in western Kakheti.
Cinema
Georgia’s cinema paradox — acclaimed abroad, yet struggling at home
Georgian films are failing to reach local audiences, largely due to weak infrastructure, monopolies, political pressure, and limited distribution.
Reviews
Review | Scary Mother — the horror of a Georgian woman’s intellect
Ana Urushadze’s 2017 debut film follows a Tbilisi housewife whose secret manuscript unravels the fragile architecture of family life.
Reviews
Review | Panopticon — coming-of-age in the shadow of the sacred
George Sikharulidze’s feature debut explores the fractured dual life of a Tbilisi teenager caught between religious surveillance and repressed desire.
Reviews
Review | Some Interviews on Personal Matters — a Georgian woman, uninterrupted
Some Interviews on Personal Matters is a pioneering work of feminist filmmaking and an intricate, intimate portrait of womanhood.
