
Review | Salt for Svanetia — Kalatozishvili before Kalatozov
Long before Mikheil Kalatozov became a master of Soviet cinema, he made a Georgian film the regime could not forgive.

Long before Mikheil Kalatozov became a master of Soviet cinema, he made a Georgian film the regime could not forgive.

The long-serving head of the Georgian Orthodox Church has left behind an ‘epochal, unique, and contradictory’ legacy.

Unlike the celebrated wine industry, the mandarin is not an ancient Georgian tradition but rather a manufactured Soviet tool hanging by a thread.

Some Interviews on Personal Matters is a pioneering work of feminist filmmaking and an intricate, intimate portrait of womanhood.

Susanna Harutyunyan’s 2015 novel eloquently captures the traumas remaining amongst survivors of the Armenian Genocide.

Otar Iosseliani’s 1970 film is a poetic wander through the absurdity of life.

A single image from Repentance resurfacing at ongoing protests in Georgia captures the film’s critique of totalitarianism.